By Matthew Albert Bayfield
Publisher: Cambridge University Press
Print Publication Year:2009
Online Publication Date:June 2011
Original Publication Year:1920
Subjects: Renaissance and early modern literature
The Reverend Matthew Albert Bayfield (1852–1922) published this study at the end of his life after a long career as classical scholar, editor of Greek tragedies and headmaster of several public schools. He gives an account of the structure and characteristic features of Shakespeare's dramatic verse and argues that it has been fundamentally misunderstood by other scholars. In particular, he analyses the use of contractions or abbreviations found in the Folio and Quartos and continued in the editions of his own time. He weighs up which of the contractions familiar from many editions were actually Shakespeare's, and what that reveals about how Shakespeare might have intended his prose and verse to be spoken. Bayfield's many appendices evaluating the metre of specific lines and his detailed linguistic analysis remain thought-provoking for modern editors and scholars of Shakespeare.
I - SHAKESPEARE'S VERSIFICATION
II - THE EARLY TEXTS
CHAPTER V - ABBREVIATIONS IN THE VERSE (continued): the Folio Plays Macbeth, The Tempest, Cymbeline, Coriolanus, Antony and Cleopatra and Julius Caesar examined (Macb. p. 140, Temp. p. 154, Cymb. p. 160, Cor. p. 184, A. and C. p. 204, J. C. p. 226):
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