Edited by Ronald Carter
Edited by David Nunan
Publisher: Cambridge University Press
Print Publication Year: 2001
Online Publication Date:September 2010
Chapter DOI: http://dx.doi.org/10.1017/CBO9780511667206.028
Subjects: ELT Applied Linguistics
The term genre is used in various educational contexts to refer to the recognisable and recurring patterns of everyday, academic and literary texts that occur within particular cultures. Those working with the notion of genre share a belief in the importance of cultural and social contexts of language use. They also share a concern with ways of assisting students, through effective engagement with texts, to become active and participating members of the cultures in which those texts play a part.
The term genre has a long history, dating back to ancient Greeks and their study of rhetorical structure in different categories of the epic, lyric and dramatic. For many years the term has been commonly used to refer to particular kinds of literature or other media of creative expression (e.g. art or film). More recently, however, it has been used in a range of educational contexts to refer not only to types of literary texts, but also to the predictable and recurring texts that are part of everyday life (e.g. work, study). As Bakhtin (translation 1986) has argued, learning genres is a fundamental part of language development, and it is our ability to predict the compositional structure and length of genres that enables us to communicate.
The impact of genre in educational contexts is evident primarily in three major areas (Hyon 1996; Johns 2000): English for specific purposes (ESP), New Rhetoric studies and systemic functional linguistics. Although the boundaries between these areas are often blurred, distinctions are useful as they serve to highlight similarities and differences of how the notion of genre has been adopted as a theoretical construct and as a basis for practical teaching strategies.
No references available.