The postmodern turn
New Perspectives on Social Theory
Edited by Steven Seidman
Publisher: Cambridge University Press
Print Publication Year: 1994
Online Publication Date:September 2010
Chapter DOI: http://dx.doi.org/10.1017/CBO9780511570940.007
Subjects: Social theory
An ironic dream of a common language for women in the integrated circuit
This chapter is an effort to build an ironic political myth faithful to feminism, socialism, and materialism. Perhaps more faithful as blasphemy is faithful, than as reverent worship and identification. Blasphemy has always seemed to require taking things very seriously. I know no better stance to adopt from within the secular-religious, evangelical traditions of U.S. politics, including the politics of socialist feminism. Blasphemy protects one from the Moral Majority within, while still insisting on the need for community. Blasphemy is not apostasy. Irony is about contradictions that do not resolve into larger wholes, even dialectically, about the tension of holding incompatible things together because both or all are necessary and true. Irony is about humor and serious play. It is also a rhetorical strategy and a political method, one I would like to see more honored within socialist feminism. At the center of my ironic faith, my blasphemy, is the image of the cyborg.
A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well as a creature of fiction. Social reality is lived social relations, our most important political construction, a world-changing fiction. The international women's movements have constructed “women's experience,” as well as uncovered or discovered this crucial collective object.