For Lancelot Andrewes: Essays on Style and Order (1928, 1929) pp. 147-166
By Jewel Spears Brooker
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T. S. Eliot
The Contemporary Reviews
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Jewel Spears Brooker
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American Critical Archives (No. 14)
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Publisher: Cambridge University Press
Print Publication Year: 2004
Online Publication Date:March 2010
Online ISBN:9780511485466
Hardback ISBN:9780521382779
Paperback ISBN:9780521118989
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Chapter DOI: http://dx.doi.org/10.1017/CBO9780511485466.009
Subjects: American literature
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*J[acob] Bronowski.
Cambridge Review 49
(30 November 1928), 176.
Mr. Eliot asserts himself. He is no longer the intelligent layman; there are moments when he is near becoming the intolerant cleric. This religious preoccupation is as irritating as that of M. Maurras, and as irrelevant. Dogma is an integral part of classicism; but it is a part only; and when Mr. Eliot underlines it so insistently, he endangers the whole perspective of his attitude. The essay on the humanism of Prof. Babbitt shows to what falsification this must lead, and cannot be passed over without challenge.
Mr. Eliot, in attacking American humanism, suggests that humanism is ancillary to religion; and develops a picture of Christianity as continuous in contrast to a sporadic humanism. This is patently false. If there has always been a remnant of religious tradition in the High Church—and such passages as Tractarian humanism make even this doubtful—there has certainly been no such tradition in the English Church proper. Neither have the European races an “actual tradition of Christianity” but, as T. E. Hulme showed, European culture since the Renaissance has been almost continuously humanist. The confessions of Rousseau, the tabletalk of Queen Victoria, or the sermons of Archbishop Fénelon, are ample illustration. The humanist attitude is in fact quite tenable in an age sufficiently self-satisfied; and it is only Prof. Babbitt's classical contacts which make him uncertain.
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pp. i-viii
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pp. ix-x
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Series Editor's Preface: Read PDF
pp. xi-xii
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pp. xiii-xl
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pp. xli-xliv
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Prufrock and Other Observations (1917): Read PDF
pp. 1-18
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Poems (1919); Ara Vos Prec (1920); Poems (1920): Read PDF
pp. 19-50
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The Sacred Wood: Essays on Poetry and Criticism (1920, 1921): Read PDF
pp. 51-74
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The Waste Land (1922): Read PDF
pp. 75-120
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Homage to John Dryden (1924): Read PDF
pp. 121-126
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Poems 1909–1925 (1925): Read PDF
pp. 127-146
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For Lancelot Andrewes: Essays on Style and Order (1928, 1929): Read PDF
pp. 147-166
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Dante (1929); Animula (1929); Marina (1930): Read PDF
pp. 167-174
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Ash-Wednesday (1930): Read PDF
pp. 175-192
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Selected Essays 1917–1932 (1932): Read PDF
pp. 193-226
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Sweeney Agonistes (1932): Read PDF
pp. 227-234
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The Use of Poetry and the Use of Criticism (1933): Read PDF
pp. 235-270
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After Strange Gods: A Primer of Modern Heresy (1934): Read PDF
pp. 271-296
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pp. 297-316
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Murder in the Cathedral (1935): Read PDF
pp. 317-350
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Collected Poems 1909–1935 (1936): Read PDF
pp. 351-376
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The Family Reunion (1939): Read PDF
pp. 377-410
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The Idea of a Christian Society (1939): Read PDF
pp. 411-426
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East Coker (1940); Burnt Norton (1941); The Dry Salvages (1941); Little Gidding (1942); Four Quartets (1943): Read PDF
pp. 427-496
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Notes Towards the Definition of Culture (1948, 1949): Read PDF
pp. 497-514
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The Cocktail Party (1949, 1950): Read PDF
pp. 515-544
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The Confidential Clerk (1954): Read PDF
pp. 545-564
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The Elder Statesman (1959): Read PDF
pp. 565-583
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pp. 584-600



